Frontera I Border – a Living Monument 

URB X ARS22

Amanda Piña’s work is a dance performance about people who endure violence in a liminal space. The performance is part of the URB22 festival program.

  • 3.6.2022 at 19–20.30
  • 4.6.2022 at 15–16.30
1st floor, Kiasma Theatre
Tickets: 25 € / 16 €
Tickets include admission to exhibitions on the same day of the performance. NOTE! THERE'S CURRENTLY AN ERROR AT THE WEBSTORE. The problem is being fixed at the moment, meanwhile the tickets can be bought from Kiasma's info desk.

Amanda Pina, Frontera I Border, 2021. Photo: Dajana Lothert.

About the performance

Amanda Piña’s performance Frontera I Border – A Living Monument investigates a choreography in which hip-hop culture, colonial tales, indigenous practices and mysticism intertwine. The work reminds us that the border is not only a place but is also inscribed in bodies.  

Exploring borders and liminal spaces, the piece is based on a dance originally devised by Latin American indigenous peoples. Later appropriated by Spanish colonizers as a racist propaganda tool, it was renamed Danza de moros y cristianos.  The dance has continued to evolve, acquiring new significance as an emblem of resilience and form of resistance among young Mexicans living in precarious circumstances. Piña thus renames it Danza de Matamoros.  

The performance shows the dancers’ lives being overshadowed by the extreme violence of a border region, violence that arises from drug trafficking, militarisation and an industry based on cheap labour. Frontera I Border – A Living Monument is Piña’s tribute to the courage and perseverance of people who push boundaries. 

Amanda Piña

Amanda Piña is a Chilean-Mexican artist. She studied physical theatre in Santiago de Chile, theatre anthropology in Barcelona, contemporary dance and choreography in Mexico, Barcelona, at the Salzburg Experimental Academy of Dance (SEAD) and in the Ex.e.r.ce programme at Choreographic Centre Montpellier.  

Photos

The team

Artistic direction, choreography: Amanda Piña  
Art design: Michel Jimenez  
Mediation: Rodrigo de la Torre Coronado 
Research: Juan Carlos Palma Velasco, Amanda Piña 
Performers: Matteo Marziano Graziano,Daphna Horenczyk, Dafne del Carmen, Marie Mazzer, Lina Maria Venegas Baracaldo, Carlos Maria Romero, Juan Carlos Palma
Live music composed by: Christian Müller 
Research, theory, dramaturgy: Nicole Haitzinger 
Costumes: La mata del veinte, Julia Trybula 
Production management: nadaproductions, Janina Weißengruber, Daniel Hüttler 
International distribution, tour management: Something Great (Berlin) 
Senior adviser: Marie-Christine Barrata Dragono 
Management: Angela Vadori Smart.at 
Production: nadaproductions 

In cooperation with

Kunstenfestivaldesarts, Kiasma Museum of Contemporary Arts, Asphalt Festival Düsseldorf, Mexican Ministry of Foreign Affairs, Mexican Embassy in Vienna the National School of Folkloric Dance of México, INBA and National Institute of Fine Arts México. 

Supported by

Kulturabteilung der Stadt Wien, Republic Austria Federal Ministry for Arts, Culture and the Civil Service and Sport, Section IV – Arts and Culture.

Location and accessibility

Kiasma Theatre is located on the first floor, at the opposite end of the building from the main doors. The theatre has no numbered seats. Jackets and bags can be left to Kiasma’s cloakroom for free.

The top level of Kiasma Theatre is accessible. We recommend to contact Kiasma’s info before if a place for a weelchair is needed.

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